Gallery 444 Provincetown, MA Art Gallery Paintings Photos

Gallery 444 Provincetown, MA. Art gallery featuring local and contemporary art, including paintings, photos, sculptures. Artists welcome for pop up art shows.

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Gallery 444
444 Commercial St., Unit 2
Provincetown, MA 02657

GALLERY444PTOWN@COMCAST.NET

Chris Firger

April 13, 2021 By Gallery 444

Chris Firger at Gallery444 PTown

June 1 – 8, 2022.

Opening on Friday night.

About the Artist

Chris Firger is an impressionist landscape painter born in Haverhill, Massachusetts in 1989.  He studied at McGill University in Montreal, Quebec and currently works out of his studio in Salem, Massachusetts. A lover of the outdoors, Chris looks to share his experience of the landscape through each of his paintings. Rather than focussing on precise representation, he pushes color, contrast, and composition to bring viewers into a unique moment. Chris’s work can be found in galleries and private collections in the US and abroad.

B.A. McGill University

Artist Member Copley Society of Art

Artist Member Newburyport Art Association

 

Contact:
978.476.6354
chrisfirger@gmail.com

www.chrisfirger.com
https://provincetownindependent.org/arts-minds/2021/11/17/chris-firger-gives-cape-landscapes-an-early-modern-flair/

4 Colors Sake

April 13, 2021 By Gallery 444

4 Colors Sake

October 19 – 26, 2022.

Opening on Friday night.

The Roney Street 4 is comprised of women who have spent their lives dedicated to the arts, both as art leaders and as creators. They have made an impact in their community as women curators, designers, and teachers, all while raising families and maintaining a consistent artistic practice in their studios. Making art can be a solitary process; a few years ago the group came together to support one another and to share ideas, techniques, wine, and laughter.

4 Colors Sake at Gallery 444 In Provincetown will celebrate the work, love, inspiration and friendship of artists Lisa Ashley Lisa Baird , Sutton Hays, and Vicki Vinton.  Join them October 19-26 for some color, wine  inspiration, and fun.

Vicki Vinton 30” x 30” Clarity Coming Mixed Media on Canvas
Sutton Hays Dress Stages 17” x 14” Gouache on Rag Paper
Lisa Ashley Spring 24”x 24 ” Oil and Acrylic on Canvas ( not sure if it is both or not? )
Lisa Ashley Spring 24”x 24 ” Oil and Acrylic on Canvas ( not sure if it is both or not? )

 Instagram:  roneystreet4

 Web:  www.lisaashley.net   www.lisabaird.net     www.sutton-hays.com     www.vrvinton.com

Lisa Grubb

April 13, 2021 By Gallery 444

Lisa Grubb at Gallery 444 PTown

July 20 – August 3, 2022.

Opening on Friday night.

About the Artist

Lisa Grubb is a self-taught pop artist with a signature style, known for her irresistible characters and vibrant colors. Her paintings are bursting with energy—as if they just jumped out of some fantastic place to brighten our lives. The artist’s sun ripened palette features tangerine, turquoise, crimson, royal blue, yellow, and spring green in offbeat color combinations.

Grubb’s uninhibited creations captivate everyone from seasoned art collectors to young children. With elements of pop art and naïve art, Grubb’s work combines playfulness and sophisticated humor.

Her paintings have been shown in numerous galleries from New York’s Soho, the Hamptons, Key West, Cape Cod and Germany.  Grubb’s customers are worldwide.  Many of her paintings have found homes in Europe, Japan, Australia, Canada and beyond.  You can view Grubb’s work year-round at The Happy Dog Gallery in Piermont, NY which is located on the Hudson River about 30 miles north of New York City.

Grubb is the creator of Happy Dog and has written and illustrated two children’s books, “Happy Dog!” and “Happy Dog Sizzles!” both published by Philomel Books, a division of Penguin Putnam. 

Grubb was selected as one of the featured artists at POPART 2, an exhibition held in Berlin, Germany at the Skoda Volkswagen Automobil Forum and painted live at the 2008 Art Fair Europe held in Bad Salzuflen, Germany. She has returned for art openings in Stuttgart, Hamburg, Timmendorfer Strand and other German cities throughout the years. Grubb’s Happy Fish SmART Car made its debut in August 2010 at the “smart times” car show in Austria.

You can also see Lisa’s work on the 3-ton slabs of the Berlin Wall! She was honored to be asked to paint two slabs of the wall and bring color, energy and positivity to that canvas. A total of four images, front and back on each slab. They were transported from the warehouse where she painted them to Checkpoint Charlie where they stood for several years for visitors from around the world to view.

Grubb has appeared on “The Today Show”, “Channel 7 Eyewitness News”, “Fox Channel 5 News”, and “CNBC” with her colorful canvases. In addition, Lisa’s work has appeared in Art Business News, Art Trends, Fine Art Magazine, Dan’s Papers of the Hamptons, and U.S. Art, to name a few.

Grubb was invited to paint the Looney Tune characters for Warner Brothers, which led to a one-person show at their gallery on Fifth Avenue in New York City. The show was an outstanding success. Lisa was invited to paint her interpretation of Disney characters for a one-person show at their gallery on Fifth Avenue as well.  Characters such as Mickey and Minnie Mouse, Donald Duck, Goofy – all coming to life under her signature style.

Grubb was asked to paint a 10-foot Spider-Man for Marvel Entertainment in the Universal Studio booth at the Los Angeles Art Expo. Stan Lee, who is the creator of Spider-Man, was also present and signed her painting.

Grubb is dedicated to helping worthwhile causes through her artwork. In 2005, the PETA organization commissioned Lisa to paint the cover art for their 25th Anniversary gala catalog.  Lisa’s painting of a Big Bunny was not only on the catalog cover but also reproduced on T-shirts worn by over 400 wait staff.  Sale of Big Bunny and Happy Dog raised a significant contribution. The prestigious Animal Rescue Fund based in the Hamptons, asked her to design their benefit invitation – her painting gained the highest bid during the charity auction. She has also contributed her work for other charities such as Elizabeth Taylor’s AMFAR, The Ronald McDonald House, Touch and Coats For Kids Foundation. She enjoyed painting a “Happy Dog” Absolut Vodka bottle for Center One, an AIDS organization, and celebrated the highest bid at the auction.

Lisa Grubb grew up in the New York metropolitan area, spent her early career in Key West, Florida, and then returned to New York to make her mark.

Grubb is inspired by, and lives in, New York City.

Contact:
https://www.lisagrubb.com/contact

www.lisagrubb.com

Sian Robertson

April 13, 2021 By Gallery 444

Sian Robertson at Gallery 444 PTown

July 13 – 20, 2022.

Opening on Friday night.

Artist Statment

I am a self-taught artist originally from the UK, now living in North Truro on Cape Cod. 

While I work in a variety of media – collage, assemblage, altered books – my primary source material is almost always used maps and atlases. I create three-dimensional art from maps, which themselves are a two-dimensional representation of a three-dimensional world. When I select maps to use in my work I’m driven almost entirely by the aesthetics of the colors and shapes within them. I ‘excavate’ the maps – hand cutting away specific areas, which then heightens the focus on others. With spaces between the roads of a map removed the viewer is able to peer deep into the mass of tangled layers of streets, perhaps a symbol of the messiness of interconnected lives. There is both a sense of loss, of the absence of what has been removed, and a sense of resilience and endurance, as the roads remain intact within the fragile structure of the now lace-like pages. 

Maps are of particular interest to me – they are beautiful to look at, they represent areas lived in and places still to visit, and I have incredibly fond memories of learning to map read when I was very young. Now, as an adult, and living on a different continent from where I grew up, maps make the world seem smaller and give me a physical and emotional connection to another time and place.

One of my favorite things about using maps to create art is that they retain the inherent history of the person who owned them before me – a history I am rarely privy to yet I feel becomes part of the work I create. I often imagine maps and atlases rolling off the printing press – household names like Hammond, AAA, Rand McNally, (or Ordnance Survey from the UK, where I grew up). And somehow one of the tens of thousands of copies of that particular edition, maybe decades (once or twice even a century) after it was printed, finds its way to me. The paper is worn at the folds, yellowed at the edges, cities are circled, routes are highlighted. Coffee spills, phone numbers, and directional notes all speak to its earlier life as a functional object in someone else’s hands. Through these maps I experience histories small and large as I vicariously travel other peoples’ vacations, and witness the downfall of empires as borders move and country names change.

I like to say that a beautiful map makes my heart race and my hand reach for my X-acto knife. And through the cutting and tearing, the layering and pasting, the rolling and folding of that one atlas or single fold out map I too become part of its history.

Contact:
Sian@SianRobertsonArt.com

www.sianrobertsonart.com

Alexandra Thompson

April 13, 2021 By Gallery 444

Alexandra Thompson at Gallery 444 PTown

June 8 – 15, 2022 and August 3 – 10, 2022.

Opening on Friday night.

About the Artist

I think a lot about non-human perspectives, the buckling of space and narrative time, the interface between human infrastructure and nature. I grew up on a farm in Illinois where I was often outside on my own. In paint I try to muscularly inhabit other things, to create worlds of sometimes disparate or dreamlike pieces tethered to the chaotic logic of this one.

The term ‘environment’ can imply a disassociation between us and what we call wild or natural. I try to work from a place that challenges this conceit. I’m interested in shintoism and the old connections of religions to nature. Maybe the things I make are bits of spirit, or icons — not of beings but of interconnections.

Many of my recent paintings are un-stretched. Drawn to the flux of boundaries and the uncertainty of wholes, I play with the shift between a thing, a backdrop, and a window. I am interested in capturing the feeling of a glimpse, or the flickering coexistence of disparate outcomes, as in my spin series and some of my diptychs. Sometimes my pieces seem to me like when someone finds the image of a saint in a piece of toast. Painting can feel like the reverse of that — a kind of hunting for a corporeal and flawed sublime; serious but also funny.

When I am not painting I work as a co-manager for my family’s farm, and at times as a part-time journalist focused on science and culture. I currently live in Idaho and Cape Cod. Although I love people I have prosopagnosia (face-blindness), and I believe the fondness coupled with the anonymity also informs my work.

Contact:
athomp13@gmail.com

www.alexandra-thompson.com

Alexandra Thompson

April 13, 2021 By Gallery 444

Alexandra Thompson at Gallery 444 PTown

June 8– 15, 2022 and August 3– 10, 2022.

Opening on Friday night.

About the Artist

I think a lot about non-human perspectives, the buckling of space and narrative time, the interface between human infrastructure and nature. I grew up on a farm in Illinois where I was often outside on my own. In paint I try to muscularly inhabit other things, to create worlds of sometimes disparate or dreamlike pieces tethered to the chaotic logic of this one.

The term ‘environment’ can imply a disassociation between us and what we call wild or natural. I try to work from a place that challenges this conceit. I’m interested in shintoism and the old connections of religions to nature. Maybe the things I make are bits of spirit, or icons — not of beings but of interconnections.

Many of my recent paintings are un-stretched. Drawn to the flux of boundaries and the uncertainty of wholes, I play with the shift between a thing, a backdrop, and a window. I am interested in capturing the feeling of a glimpse, or the flickering coexistence of disparate outcomes, as in my spin series and some of my diptychs. Sometimes my pieces seem to me like when someone finds the image of a saint in a piece of toast. Painting can feel like the reverse of that — a kind of hunting for a corporeal and flawed sublime; serious but also funny.

When I am not painting I work as a co-manager for my family’s farm, and at times as a part-time journalist focused on science and culture. I currently live in Idaho and Cape Cod. Although I love people I have prosopagnosia (face-blindness), and I believe the fondness coupled with the anonymity also informs my work.

Contact:
athomp13@gmail.com

www.alexandra-thompson.com

Chris Kelly

April 13, 2021 By Gallery 444

Chris Kelly at Gallery444 PTown

May 18 – June 1, 2022 and October 12 – 19, 2022.

Opening on Friday night.

About the Artist

Chris Kelly is a multi-disciplinary creative. His work includes painting, printmaking and graphic design. The media ranges from paintings, editions,  gallery installations and digital. The majority of his work takes inspiration from the visual world around him. A visual language is created in his printed work, resulting in the use of typography, pattern, shape and form to create compositions.

Kelly has shown work in solo and group exhibitions throughout the country. His graphic design work includes logo and identity projects, illustration, web development, print and digital design. Kelly works out of his studio in Eastham, MA.

Contact:
813.453.0492
heyitschriskelly@gmail.com

www.heyitschriskelly.com/about
https://www.longstreetgallery.com/chris-kelly

Co-Owner
Graphic Designer | Artist | Digital Ninja
heyitschriskelly.com
@heyitschriskelly

Chris Kelly

April 13, 2021 By Gallery 444

Chris Kelly at Gallery444 PTown

May 18 – June 1, 2022 and October 12 – 19, 2022.

Opening on Friday night.

About the Artist

I’ve spent the last 10 years working freelance design work and other creative projects that have developed my vision, passion, and desire to collaborate with others.

My creative work blends multiple creative processes and discipline. I wear a lot of creative hats and can produce in a variety of ways. I’ve spent the last two years working in my studio at Longstreet Gallery.

Contact:
813.453.0492
heyitschriskelly@gmail.com

www.heyitschriskelly.com/about
https://www.longstreetgallery.com/chris-kelly

Co-Owner
Graphic Designer | Artist | Digital Ninja
heyitschriskelly.com
@heyitschriskelly

Mary Ann Wenniger

April 13, 2021 By Gallery 444

Mary Ann Wenniger

Mary Ann Wenniger

Mary Ann Wenniger

Opening reception with the artist Friday, 10/22 6pm-9pm & Saturday 10/23 6pm-9pm

Mary Ann Wenniger - "Cove" © collagraph.Artist, teacher, author, Mary Ann de Buy Wenniger is a well-respected art dealer and gallerist of forty years in Boston, Rockport, Provincetown and now co-owns Wenniger Cottage Gallery and Print Studio in Gloucester, Massachusetts. Mary Ann studied Art history at Boston University and New York University. She received an M.A. in art education from Harvard and a M.F.A. from Vermont College. Mary Ann learned printmaking at the Radcliffe Institute and DeCordova Museum, and is a self-proclaimed course junkie delighting in learning new things. Mary Ann was one of the first artists to experiment with the collagraph during its genesis in the 1960’s when polymer glues were developed that make it possible to create permanently adhered collaged plates and print them on rag paper using an intaglio press. She purposely uses new colors for each print; thus each print is unique. The plates themselves are art works. They take weeks to assemble. She uniquely combines elements of sculpture and printmaking. Wenniger collagraphs captivate with their genre scenes, poetic titles reflecting her optimistic spirit. Their hand wrought, painterly surfaces shine with rich colors from heavy printmaking oil inks used. Although printmaking implies multiples, for Wenniger each print becomes a painting. Wenniger collagraphs are primarily in private homes with some in corporate collections: First Bank of New Hampshire, Bank of Boston, Fidelity Investments, Rockefeller collection. maryannwenniger@gmail.com www.wennigercottagegallery.com

Mary Ann Wenniger

Mary Ann Wenniger

Sian Robertson “ You Are Here “

March 18, 2021 By Gallery 444

Sian RobertsonWeek long show. Opening on Friday night.

Sian Robertson, a self-taught artist originally from the UK who has lived on the outer Cape for over 20 years, likes to say that a beautiful map makes her heart race and her hand reach for her X-acto knife.

Known for her 3 dimensional work created from used maps (which themselves are a 2 dimensional representation of a 3 dimensional world), Robertson is driven almost entirely by the aesthetics of the colors, lines, and shapes within them. She cuts, tears, rolls, layers, and ‘excavates’ the maps – hand cutting away specific areas, which then heightens the focus on others. The viewer is able to peer deep into the mass of tangled layers of streets, the roads remaining intact within the fragile structure of the now lacelike pages.

Robertson  as been exhibiting in galleries in Provincetown and Boston since 2015, and has been included in many members’ and juried shows at the Provincetown Art Association and Museum, Cape Cod Museum of Art, and the Cultural Center of Cape Cod. in 2020 she was the Artist in Residence at the Higgins Art Gallery at Cape Cod Community College, and she often teaches collage and assemblage classes at PAAM and Castle Hill.

sianrobertsonart.com
sian@sianrobertsonart.com
instagram.com/sianrobertsonart
facebook.com/sian.robertson.100

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